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Linkek a témában:
Üveg, átlátszó tárgyak festése
Átlátszó dolgok megfestése trükkös lehet. A kérdés az, hogy tudjuk illusztrálni a tárgy formáját úgy, hogy megtartsuk annak átlátszóságát. Van néhány tipp, ami segíthet ezt a célt könnyedén elérni.
Festészet.lap.hu
Átfogó linkgyűjtemény a magyar és külföldi festészet témakörében. Korszakok, stílusok, irányzatok.
How to begin a portrait painting
Showing posts with label Painting Basics. Show all posts Showing posts with label Painting Basics. Show all posts
Painting Basics: Selecting and editing the scene in a plein air landscape
Plein air, editing a scene
I went plein air painting with a student of mine a couple of weeks ago. After we finished we took a look at each other's work and commented as we usually do. One of the comments for this painting was that the painting looked nothing like the scene in front of me which, of course, was true. I picked the scene because I liked the silhouette shape created by a few of the trees. That shape made by this grouping of the trees was what I wanted to focus on and all the stuff that was unimportant to me in the scene just didn't make it into the painting.
Today, I thought we would look at how to select what is important in a a scene then edit the information to design a composition that we like. I want to show that you do not need to include everything in a scene when painting it.
Let's take a look.
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Labels: Painting Basics
Painting Basics: Watercolor Demo, a pink rose
By Hsuan Chi Chen
Painting flowers is sometimes tricky. But all you need is some patience and practice, then you will master the art of painting flowers. This article is going to show you step by step of painting a pink rose in watercolor. This demo requires both wet-in-wet and wet-on-dry technique.
Also few things to keep in mind when you paint:
a. Keep in mind that where is the light source, and where the dark side of the flower is.
b. Treat the all petals as a group. Sometimes we focus on detail too much, we forget the whole picture of the painting. As a result, the painting would lose it’s harmony, and the each petal would look like not belong to a same flower.
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Labels: Painting Basics
Painting Basics: A Plein Air Demo
About once a week I paint plein air. This time I brought along my camera to show how I approach painting on location. I want to show you one way I handle painting a landscape outdoors. Though I am calling this a plein air demonstration it is not truly a step by step demonstration. It is just a chronicling of my process at different stages as I paint to give you some reference.
Today, I will recount the process I took to get the painting of the scene you see to the left to show you how to approach painting plein air painting.
Let's take a look.
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Labels: Painting Basics
Drawing Basics: Value relationships
It is easy to think of value as a stable element in a composition. For example, dark hair is dark hair. An artist would always use the same value to paint the hair, right? After taking a look at a value scale that is set up in distinct steps it might seem so. But what effects does the environment have on the hair? Or more specifically, how do the values in the areas around the hair affect the look of the value level of the hair?
Today, we will look at one way value relationships can change the look of the image with a simple exercise.
Let's begin.
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Labels: Drawing Basics, Painting Basics
Painting Basics: Atmospheric Perspective in Landscape Painting
Plein air painting showing atmospheric perspective.
When painting a landscape, visual perspective is an important element of creating a successful image. This will include considering where to place the horizon line and the two point perspective guides. Along with that, there is one more thing we need to consider when painting a scene covering a large distance. That is how the conditions of the atmosphere affect the elements in the scene, what is called atmospheric perspective.
Today, we will look at how to create atmospheric perspective, so that we are able to describe what it is to start using the guides in effectively painting a landscape.
Let's begin,
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Labels: Painting Basics
Painting Basics: Limited Palette
In the previous post about color palettes I showed examples of a basic or limited palette. I thought I would continue this topic by demonstrating how to create a wide range of colors using a palette of just a few colors. This can help us gain a better understanding of mixing color and how the pigments work together.
Today, I will use a limited color palette I teach my students to show that most colors can be mixed from just four paints.
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Labels: Color Basics, Painting Basics
Painting Basics: Something Useful
This is something I learned to use that helps me evaluate certain aspects of what I am painting or drawing. If I am having trouble identifying the exact value or color of something, I found that isolating the area with a viewfinder helps me figure out how that area relates to another.
It is a simple tool as I just take a piece of cardboard and punch a hole in it. This creates a viewfinder that allows me to look at one area of the scene separated from the rest of the scene.
I thought I might continue with the subject from the last post today. In the last post I demonstrated how to start a portrait drawing by setting up the simple structures and then defining the plane changes of the surface using a charcoal pencil. This time around I want to apply the same techniques and concepts to painting in oil paint.
Festőművész.lap.hu
Ez az oldal magyar kortárs festőművészekkel és munkásságuk bemutatásával foglalkozik.
Landscape step by step
I have been posting a lot of figurative stuff lately, so today thought I would do something different. I thought I would cover some of the basics of landscape painting and do a basic step by step demonstration on how to paint a simple landscape in oil paint
Kortárs festészet.lap.hu
A átfogó linkgtyűjtemény a kortárs magyar festők oldalairól.
A nagybányai festőiskola
Nagybánya nagyon fontos helyet vívott ki magának a képzőművészetben is. 1895-ben két, e városban született festőművész, Thorma János és Réti István meggyőzték Münchenben élő mesterüket, Hollósy Simont, hogy milleniumi megrendelését a városban fesse meg. Sőt arra is megkérték, hogy hozza magával a világ minden tájáról hozzá sereglett tanítványait is. A létesítendő festőiskola anyagi feltételeinek biztosítására a két művész megnyerte pártfogóul Virág Béla albírót és Turman Olivér polgármestert, akik műtermet állítottak a művészeknek, és anyagi segítségben részesítették a festőtelepet.
Nagybányai művésztelep
A nagybányai festőiskola a modern magyar festészetet elindító mozgalom, mely az 1896-ban a nagybányai művésztelepen bontakozott ki, majd csak a második világháború vetett véget működésének.
Százados úti művésztelep
A Százados úti művésztelep Budapest első művésztelepeként épült, egyben Európa legrégibb folyamatosan működő művésztelepe.
Szolnoki művésztelep
A Szolnoki Művésztelep a Tisza és Zagyva torkolatánál, Szolnokon, a Szent István király tér 6. szám alatt található. Létrejötte az 1848–49-es forradalom és szabadságharc eseményeihez kapcsolódik, Magyarország legrégibb művésztelepe.
Meghatározás
A festőtanfolyam lap alapvetően kétféle tanfolyamot mutat be, a hagyományos és a jobb agyféltekés oktatási módszert. Szerepelnek alapozó és haladó kurzusok indítói, és OKJ-s tanfolyamok is. Emellett cikkek, videók, könyvek, fórumok, blogok segítenek megszerezni a szükséges információt, hogy mielőbb megtanulhass festeni, alkotni.